Everything about Seventh Letter Plato totally explained
The
Seventh Letter is a literary and philosophical text of the mid-fourth century BC (ca. 360 BC), the authorship of which has long been disputed by classical scholars. Much contemporary scholarly opinion favors the authenticity of the text—for example that it was written by
Plato himself, or by a student of Plato who possessed direct and intimate knowledge of the events and circumstances involved.
For readers and students of Plato and
Greek philosophy, interest in the
Seventh Letter lies in the text's account of Plato's involvement with
Dionysius II (Dionysius the Younger),
tyrant of
Syracuse. The philosopher
Dion, the tyrant's uncle, convinced his nephew to invite Plato to Syracuse to serve as a tutor to the young Dionysius in philosophy and political ethics (much as
Aristotle would later serve as tutor to
Alexander the Great). Plato made three journeys to Syracuse, but became victimized by court intrigues, especially involving the exile of Dion. Dionysius was at times so enthusiastic about Plato that he kept the philosopher a virtual prisoner; at other times Plato feared he might be murdered by the tyrant's fractious court. Plato even had difficulties escaping from Syracuse back to Athens.
Plato's involvement with Dionysius II of Syracuse has attracted attention as the philosopher's attempt, apparently his sole attempt, to apply his idealistic political philosophy to real-world politics; and its general failure has struck some critics as a negative commentary on the practical applicability of a Platonic system.
The
Seventh Letter also has a detailed exposition of Plato's ideas about the
Forms. Toward the end of the letter is an explanation about the
perfect circle as an existing, unchanging, and
eternal Form, and how any reproduction of a circle isn't the perfect circle. The Form of a perfect circle can't even be talked about, because
language and
definitions are not the perfect circle either. For example, a two-dimensional drawing of a circle is never perfect, with only two exact dimensions, and with a perfect curve that's always an exact equal measure to the center point of no dimensions. There are certain aspects about the content of our thoughts that can't be shown with drawings, words, and mathematical symbols.
Plato begins to talk about the Forms in response to the false claims that Dionysius has about the full spirit of
philosophy and the full understanding of Plato's philosophical discoveries. Plato argues against Dionysius by giving his best account of what he thinks about the
true and real circle of
geometry, unlike the words, drawings,
definitions, and
knowledge about what truly
exists. The actual,
intelligible circle can't be expressed in changing
language. Plato is attempting to describe what is
eternal and unchanging, not becoming. Plato is contrasting
being with
becoming. However, Plato claims that even he can't adequately write about the Forms in language, and that it's best to not write about the topic. It is the
dialectic method through oral questions and answers that's best for one to arrive at a
divine spark of understanding about the perfect Forms as they truly exist.
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